My approach to photography in the past has mostly been ‘turn the camera off once the light goes off’. There’s good reason for that- I really deplore using flash, since I can’t be bothered to use off-camera flash (too much trouble once you add in reflectors, gelling, and so on), and on-camera flash makes everything look like you just hit them in the face with a spotlight.
Indoors, however, there is just enough ambient light so that you can use the appropriate (read: large aperture) lens to achieve good results. You can even do this outdoors, as long as the image is well-lit. Buildings for instance are good candidates for photography, and taking stuff illuminated by street lamps works too.
Above: As the sun begins to set, you get opportunities to photograph it. In this case, it was slowly setting, although still too bright to photograph directly. But I got lucky. I spotted a window of opportunity when the sun began to hide itself behind an ominous-looking cloud. When I was young, my mom used to tell me that they used to call a lunar eclipse 天狗吃月亮 (roughly translated: “the heavenly dog devours the moon”). When I showed her this picture, she said it reminded her of this.
Left: This was the building I was photographing that night. The diagonal lines you see are the results of stray light from a street lamp hitting the lens and resulting in lens flare. Technically that makes for a poorer picture, but in this case the effect was wonderful, so I kept the picture. This is the Westin, and the round circles you see at the top of the building are of New Asia Bar. I made everything look dark, and with a purple tinge, so it looks more like something out of a comic book, than a real-life building. What can I say, I have a preference for very graphical pictures.
Above: At the restaurant that I was at for dinner, I looked down and saw the light under the counter. This was being reflected off some metallic surfaces and I thought it was worth photographing. I waited for a waiter to appear on the right of the frame to balance out the picture before taking the shot. Notice how I timed it so that his feet are both off the ground- he’s reaching up for something. This frozen movement adds some dynamism.
Right: This picture was taken at Shanghai Tang. Whenever I’m feeling uninspired, retail never fails to wow me. It seems there’s always good design- of colours, of ambience, and of lines- to be seen at retail outlets these days. Shanghai Tang is definitely one of the those that focuses on design. Their look is a vibrant, almost futuristic look- using smooth reflective plastic materials for their furniture, and using cool lighting to set the mood. I took this picture without the head of the shop assistant to simulate the look of a mannequin. His body position also fits this interpretation- it is passive, like an unmoving plastic model.
Above: I took this picture as I was leaving the mall. The reflection of the brights lights in the glass, contrasted with the solid shapes of the people through the other side of the door, makes this an interesting shot with a lot going on. You can see both the McDonalds sign as well as the menu options in the reflection of the glass. It’s not immediately clear that this is a reflection, however, which adds some intrigue to the shot- what are all these lights doing in the middle of the shot? This picture tempts you to look twice, which should be the aim of any good photograph.
I got to the newly built Punggol Park this last weekend and really enjoyed taking pictures that day. Among all the fantastic shots I got, one particular bridge- on the flyover above the park- really captivated me.
Above: This is the first picture of the bridge that I took as I got to Punggol Park. I love the strong curvature in the structure, and the single lamp-post balances out the emptiness of the landscape. I was lucky- the drama in the clouds made the background look exciting. In fact, the clouds at the bottom of the picture make the whole structure look like it’s at a very high altitude- which it’s not. And leading the viewer down exciting, ‘impossible’ paths is something I always enjoy.
Above: One thing I always try to do is to get different angles of a subject. This involves more legwork, but there are times when the subject is just worth it. In this case, the bridge had a vertical arc extending upwards, but also a horizontal one where people could stand and look out at the park. You can see the shadow of a rail on the left hand side of the picture- this adds a bit of drama to the monotony of the shot, so I left it in. This rail is part of the flyover above the park.
Above: This is a view of the horizontal arc where you can see what it was meant for- sight-seeing. It was a beautiful day out, and there were lots of people walking about enjoying the view. Ironically, I spent so much time walking around and taking photos of the bridge that I never actually went on it. But that’s what you gotta do when you only have a short window of time to take pictures with (I got there late afternoon, and the light was starting to fade).
Above: One good thing of getting there in the late afternoon is that if you’re lucky, you get to take a picture of the sunset. I took several pictures of the bridge at this time- some with people, and some without. Ultimately, I chose this one. I think the Punggol Park is a place of community, for families and friends to gather, and having people in the shot emphasises this more. I was lucky with this shot: a boy on the right can be distinctly seen pointing towards the sun. This adds dynamism and motion to the picture, and also (together with the two lamp-posts in the centre-right) provides a leading visual line into the center of the frame.