I’ve realised that more and more of my audience is now comprised of amateur photographers like myself, so I thought I’d write about the easiest and most important tip to improving your photography- Filling the Frame.
When most people start photographing stuff, their first instinct is to ‘get as much into the frame as possible’. They try to keep their subjects wholly in the frame. What they don’t realise is that this killing their shot. There is a lot of ‘dead space’ around the main subject, and has the end effect of making the viewer feel like they are completely removed- and disengaged- from the action.
Instead, get right into the thick of things. Keep your edges right at the edge of the frame- and preferably spill out of the frame if you have to. The more of the frame your subject takes up, the more people feel like they’re involved in what’s happening. This is like the trick that writers or movie directors use when they start off the plot in the thick of action. Nobody wants to navigate past the empty space to get to the good stuff. Just give it to them already.
Above: I came across this motorcycle in Little India. I was immediately taken by the tones of the paint on it. It really looks like the flames of a fire, gently enveloping the entire vehicle. Notice that you can’t see the whole motorcycle- the wheels and handlebars are cut off, and the result is that the bulk of the picture is taken up by the most subject of most interest- the paint on the body.
Above: This is another version of a picture I took a few weeks ago. The statues on the left are leaning left, and it looks like they’re doing so to make room for the lamps on the right. Note how I composed the picture so that everything just fits into the frame. In fact, the statues on the left are partly cut off. This adds to dynamic motion within this static picture- I am showcasing an off-balance lean, not a steady pose. Thematically, the two elements of the picture, statue and lamp, are united by a single bronzed color cast across the entire scene.